[…] The intensity of detail in Europa Galante’s playing, the variety of articulation, dynamics and sonorities — sly, sexy, brutal, grazing, plump and proud — was breathtaking, and every nuance was answered and amplified by the harpsichordist Paola Poncet […]

Anna Picard, The Times, february 24th, 2015
“L’oracolo in Messenia at Barbican, EC2”