“Europa Galante exploits the music’s contrasting dynamics to striking effect, creating pleasing, lightly transparent string textures that allow clear audibility of all parts (…) Tasteful and neatly executed extempore solo ornamentation, some varied reprises and the occasional addition of transitional passages to link movements add to the mix. Fabio Biondi’s playing is sensitive, poetic and freely expansive in the aria-like central Largo and sparkles with articulate energy and technical agility in the fast movements (…) The recording is bright, vivid and ideally balanced.”
The Strad
August 2025
“With the Introduttioni, Fabio Biondi serves as conductor, and they are fascinating pieces (…) Biondi wisely adjusts his usual tumultuous, operatic style in favor of a quick, brighter sound with his small Europa Galante ensemble, perceiving correctly that the music can speak for itself. This is an essential album for those closely interested in the pre-Classical period, but it may be equally well recommended to general listeners.”
ALLMUSIC
“For those not accustomed to Biondi’s sound, there’s a real sweetness to it, and he’s a master at giving shape and phrasing. He employs significant vibrato, but in doses, and it’s not continuous.The ensemble’s cohesion, which is on full display in the ritornello of the final movement, is astonishingly tight.In conclusion, this is a strong release from champions of the Italian baroque. If the pieces are new to you, this is among the best you can get.”
BIBERFAN
July 2025
“Biondi and his friends in Europa Galante opt for a more intriguing Locatelli: the six Introduttioni teatrali (Theatrical Introductions) which constitute the first part of the Opus 4.Few recordings of the Introduttioni teatrali have been made so far. Fabio Biondi’s poetic eloquence brings fresh colours to them, even bringing to mind, at many moments of surprise contemporaneous pieces like Mondonville’s 6 Sonates en symphonie.Pursuing his grand European tour, the ever-voracious Fabio Bondi here closes another loop – and with what a mouthwatering final act”
Prestomusic
September 2025
EDITOR’S NOTES
Celebre in tutta Europa per l’eccezionale virtuosismo violinistico, Pietro Antonio Locatelli (1695–1764) ha consegnato alla storia una produzione artistica di grande valore, seppur quantitativamente contenuta, la cui edizione fu in larga misura curata da lui stesso dopo il trasferimento ad Amsterdam nel 1729. Da questo corpus prende spunto Fabio Biondi per delineare un ritratto originale del compositore. Piuttosto che tornare all’Arte del violino op. 3, il lavoro più noto di Locatelli — già oggetto di una sua incisione nel 1995 (Opus 111, OPS30-104) — Biondi e i musicisti di Europa Galante si orientano verso un volto più enigmatico dell’autore: le sei Introduttioni teatrali che aprono l’Opus 4.
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